For several reasons, including the creativity
factors involving it, I try to understand the notion of identity, and how it is
created, reproduced and expanded. It’s very important for learning and
creation, as once I can understand these behavioral elements of the composition
that managed to capture the atmosphere I want, I can create something of my own
without making a copy of it.
So once in a while I see myself playing with
existing concepts in my mind. That is, I like trying to find any hidden
possibilities unexplored so far, especially with ideas that seem so perfect and
round in their own forms.
How do we bring new things that will not only
fit in the created universe, but also give it new assets and icons? How do we
make sequels that will feel like an admissible expansion of the original? How
can we make a sequel that will have an even more strong identity than the first
one? How can I make the solo of that song go longer and still feel it’s still
part of the first imagined version? How else can this feeling be reproduced in
different manners? How can it be expanded and still remain zephyrous while
still lingering around the same area? How can I inseminate new elements to a
series without making it clear a new hand was added to the work?
Overall the main concern here is to know how to
bring new elements and original branches that are fit to the existing concept
and don’t feel intrusive or making it change its own identity completely. It’s
about knowing when other novel components match the idea and brings a nice
chemical reaction to the existing idea, and so it can maintain and expand and
sort of lengthen the core feeling of the concept.
But this can be dangerous, as everything can
always turn out to be. Maybe milking all the possibilities out of any concept
or idea can render it thin and fragile, and it could dry dead and pale. Maybe
the unexplored corners that leave a taste of unquenched thirst is what can
actually make some identities so alluring and enchanting…
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