Of suburban stages (sparkles employed)

 Though they may increase in frequency depending on still unknown factors, my creative endeavours kind of happen by themselves. And though I don't quite consider these to be as important as actual, planned creations (even if qmus do have something in common with sparkles) and I never really bother capturing them, I've been realizing they would be very much welcome in this world of mine.

Sparkles come to me in all shapes, but I never get them developed any further. I 'd like to start practicing them, for I miss and need to go back the feeling of seeing the tip of my fingers creating and recreating beauty and strength and fragility and Life.

The dark arab warrior walks under heavy apocalyptic skies. The company founder who is leaving his office and has a tearjerker realization of all his dreams he acchieved. The sensual dancer wearing her exuberant tropical-colored dress fancies her abilities. The long-forsaken castle ruins, once a place for all glory, war and heated discussions and passionated meetings is now but covered with gentle autumn leaves of reddened and golden color. The two girls could after a while track their friend, who's playing his harp, sitting on a stone and watching the sea and sun setting on the horizon, and singing a song of deep solitude, sadness and beauty (hint: they're flary).

So this world offers them the chance to be real, without being actually lost in the stream of my wonderings. I don't want them to be abandoned shackles in the moors, but collective hamlets of independent sparks.

There are several stories I'd like to tell, and that have nothing to do with the main play. I like having them being placed in the same place, for several reasons. One of them is that I can have a little more control over my stories. The other advantage is that it is a much careless thing, as I just don’t need to worry about actual stringing, I'll just handle the purest creative flow. This is where I can make stories independent from all major purposes of this exercise.

However, the main reason, or the most appealing one, would be all the new tonalities they would bring to the world. I want it to be a breathing one – an alive one. All different ideas in all shapes and forms, displayed as beacon, a call for dry creatives to find inspiration and seek to keep having their minds craving to see and build, absorb and construct and create.