It feels slightly disturbing when I feel I am working with possible
returning quintessences. It's like I am dealing with some potentially
dangerous outlawed idea. Or then distressed, as if dealing with
people who've gotten their share already, and came back hidden in
disguise for another portion.
Right in front of me there's one lad I'm pretty sure has been
mentioned here before, back to the days where I was building some
artistic principles of mine. I haven't got time to check the files
and documents, so I can't prove it has been already here before.
Either way, there it goes another attempt to have it as a sealed
quintessence.
This is one of the helping techniques to make solid designs. Whenever
there's a messy confusion of lines or that there's nothing standing
out clear in the composition, I've learned that I can use this that
I've been calling Arterial Lines to show the most relevant aspect of
the highlighted part of it. And not only that, it has an style to it
that gives the image a very polished appeal to the shapes with
outlines engrossed.
Apparently this helps the brain to understand and process the exposed
image with more ease, which brings him joy. The thing is that it's
very much present not only in images, but also in music, or in
stories. I do feel the Arterial Guideline, very distintictively in
these different modalities. It indeed is one nice tool to have
around.
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