After a long time, and with some reconsiderations about how new gems should occur, since lots of them were really feeling like some rather specific dioramas already made of composed gems, rather than an unique feeling of its own (a prime requisite for new gems to be coined), I present the seventh update on the subject and here are the ones I accepted as new members of the gem brotherhood.
Starting with one I had to decide whether I would make it a dissidence from Onyx. And I decided I wanted to, so Argonite is going to be about übernerd things. It's about playing rpg with friends, and having some deep discussions about rather irrelevant characteristics of movies and series and books and games. It's something about the hint of medieval (and sometimes sci-fi) tone and grittiness that differs it from Onyx, which in a way is still the more cartoon-like entertainments. In a way, Argonite and Onyx would represent the adult nerd and child one. Also, Argonite feels a bit more western somehow. I'm sorry, Nintendo, I'm sorry Japan.
Speaking of ages, I'm proud to announce one of my main gems, and I'm calling it Carbon. It's about the aging process. We feel carbon when we feel the different phases of life. We feel one kind of carbon when we're close to a kindergarten school, another one near high schools and college, company buildings and retirement houses. Instead of carving one for each stage, I actually noticed there is a similar feeling to each of them, and its marrow essence that bonds them is what I'm calling Carbon. This is a dissidence of Quartz, which was bearing a too broad significance.
And since we're talking about ages, there's one specific about teenager years. I'm calling Coal this representation of the rapture of youth. It's got several other gems related to it, like sapphire, ruby, carnelian, energite, ilite, pearl, nephrite and howlite (classic rock, metal and grunge – Pearl Jam in specific brings me intense Coal feelings and memories). It's a quite coarse atmosphere, with the smell of damp and slouchness in their basement studio, with conversations about bands, porn and alcohol. It's the time of enjoyment of the rapture of their youth, a time of dares and discoveries, of going totally rad, dud. It's when the foundations of one's personality start to sprout (usually but not exactly my case), so I guess it makes sense to have this related to the gem of diamond.
One of the components of last gem is speed. I call this the Spinel gem to be the thrilling attempts to go through risk and danger to feel lawless and free. It could be so bewitching as it happens when we make exercises, when we run and we pump blood through our muscles. It breaks us free from the safe plaster routines. Spinel seems to be in the wind blazing by (and so this one could explain how winds help making such great mindscapes). Boys pull their heads out the window and scream, girls laugh in between sips of their bottles. They're feeling alive, having the time of their lives.
And I keep exploring these defining years of our personalities because they do have some poignant catchiness to them. One of the most remarkable memories everybody has from these years are their relationships. Both friendships and romantic engagements, it's when we go to a bar and see groups of friends, all possibilities of bonds and friendships, and there's jokes, there's flirting, there's serious discussion about their dreams and their visionary and passionate political debates. The gem is called Calcium. The guy slips his body back into the car, and he looks at the girls, and one of them looks at him with a smile of secrecy. It burns but will also hurt. This is a response to the beautiful days of amethyst, but rather than being just dark amethysts, it's the whole spectrum of the progression of the relationships in real life. Friends argue, they feel betrayed, bonds are broken. There's jealousy towards the new people our friends are hanging out. There's cry and sorrow too that is part of the cementing of our character. Something about this gem is what makes some 80s bands like The Cure, The Smiths, Joy Division and the brazilian Legião Urbana so popular. It's not even about the lyrics, the atmosphere of the songs give this feeling to me.
But now, changing the subject, and considering we've just been through october, there's a gem for halloween, and I'm calling it Oolite. Rather than being just garnet and opal, this is something cultural too. It isn't just the ruby/carnelian events, but the spooky essence of it too that is usually shown or used as amusement (it's quite good for humor sketches). Ghost stories by the campfire also are a recreative use of Oolite. So that's a way to differentiate it from garnet and opal which are more serious stuff, specially opal. Mercury is more about wizardry while Oolite is about amusing eeriness. But I remember some twilight hours with incoming storms darkening the skies when I've felt that spooky night indeed felt like some wicked moment for witches, demons and zombies to be astray in our world, so Oolite could have that use as well.
Since this halloween thing isn't much disseminated in my country, it is still an american tradition that is seen around mostly in language schools. I'm going to give a gem called Hafnium for the american culture imposed over my own culture. So brazilian roots and imported american culture are shown with Brazilianite and Hafnium. American movies, american fast food. It's quite a hypocrisy to complain about once I write in english here in the internet, and I have this gem because I've had me some several english classes, but my reservations about globalization is what I call the Sterilization Factor. Any landscape with the same Coca-cola ads and (this is the good thing about gems) other hafnium elements, like a highly technological and practical culture ends up feeling too lifeless and featureless to me sometimes.
Now I'm going with a dissidence from tv (phosphide). I'll use Phosphate for cinema. It started making sense in my mind when I noticed how far different the moods are for watching tv and watching a movie. It's a different experience all around. Here you're paying attention to whole craft: the photography entwined with the plot, the soundtrack entangled with the dialogues. And then there's the movie theathers as well, which also bear some other implications that a tv room can't imitate (though that's not saying that makes movies better).
Going back to the eerie, there's also the ominous and sacred, and that's another paired feeling I need to divide (like I just did with Oolite and Hafnium). These are two feelings of felt dimensions, so they belong to the Chryso series (sometimes I think dunite, as dealing with degrees of light and shade, should be a chrysogem). So forgive me if I start using organicals now just for the sake of their chryso- names. I hope it's the only exception I can make for going out of the mineral/chemical world, though.
The first one is about the ominous and powerful. It's about something so epic, bearing such grandiosity and power it's scary. The gem for this sublime feeling is going to be called Chrysophyllum. It doesn't need to be scary in the sense it's evil power, just something dangerously powerful, and should not be taken lightly. The mushroom effect of an atomic explosion gives me a feeling I'm callying chrysophyllum, because... holy mother of god, that is some serious shit. But it is also in music, especially classical songs, those bombastic symphonies. O Fortuna, for instance, has this epic feeling to it, with choirs and a sense of intense grandiosity. I remember this song used to fit so well when I was imagining the dragon Smaug flying from the insides of the Lonely Mountain, and it seems that it's because both experiences have chrysophyllum in them.. f I like trying to describe this feeling of things so powerful they could bring an End, for making me think of examples and my creativity feels very inspired by it.
The second one, and last one, I'm going to call it Chrysalis. At the beginning this is the feeling of holy divinity inspired by religion. Unlike marble, which is about the melancholic veil of mortality, this would be a sense of inner peace. There's something similar to hope, the belief of something beyond. And that's the point I wanted to get at, the beyond. It's the longing we have for this transcendental... this... I don't know, this is why I'm using chrysalis to express something several people call god. But it's everywhere where there's both of these characteristics: the transcendental and the beyond. Music and art are transcendental, and the sideral space has this mysterious feeling of wondering what's beyond, and so I think that's how I feel chrysalis so easily found in art and space. The problem is that it's a sylvan being that escapes definitions, and the fun to chase chrysalis is what makes it fun. I wonder whether Chrysalis can survive in being my definitive nomenclature for this, but I don't want it to replace other chases. I just don't want it to be disputated by other gem (except maybe Lazulite or Chrysophyllum or some other now, but they would be more like archangels).
And I think that's enough for now. Last time I had sixty-eight, and I've just added ten more. Got 78 now. Argonite, Carbon, Coal, Calcium, Spinel, Oolite, Hafnium, Phosphate, Chrysophyllum and Chrysalis. It's been a long, long time since the last update, so this time I'm almost in doubt if I didn't repeat myself with choices. I think not, but this time I've noticed I had a harder time differentiating gems that are now getting very, very, very similar.