It appeals to me when changes of pace suddenly occur when suddenly I enter in a highspeed avenue, or when a symmetric rhythm of the song is summoned up in a previously unstructured rhythm.
This journey through opposite sides can render interesting effects. For instance, one can blend them into one. One can taste the bittersweetness that is to meet the brightness of Áine’s skies and the deepest realms of Trygve’s hidings just at once.
It also sounds pertinent to me to use Shakesperean Verticality in this equalization, as I could use Major Crests for the Base Line (such as Love and Death) and minor ones for spices (like the Swamp Night, Train Sounds and Manure).
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