As I’m trying to adapt to the Tankobon Rule,
especially the troublesome Hangar III, I’m finding it relieving to see that
several topics can be used by the other two tankobon hangars, like some
herderite ideas for the String Story, or some hiddenite topics for my Crest
Theory, like the R&R combination or then the Causal Series.
So far the Causal series seem to have the
Adherence/Aversion and also the Assumption. Just to prevent a returning
quintessence, I’ll first remember these old definitions. The Adherence and
Aversion are just the way an experience we have can end with positive or
negative impressions, so we’ll later feel attached or then abhorred by it.
Either way they are crests. The assumption comes as some form of conclusioning
or expectancy for certain events to keep happening, like trances in certain
situations like every bus commute (and that’s almost like a sabotaging
mindtrap).
The Association here is to be used in a slot
around the Adherence/Aversion and the Assumption. The Association is about
things that become correlated, such as coexisting elements to certain
experiences we’ve had, that aren’t normally used together. It’s in, say, sexual
identity, when the experiences we’ve had end up with associations with certain
locations, smells, clothes or other things, and those things turn us on. It can
be some more exquisite, like the tv playing Spongebob squarepants and everytime
you remind of that first night (though probably spongebob’s laughter giving you
naughty thoughts is bizarre). See, as sex feels important to our lives and can
be traumatic to people if it goes awkward enough or we feel sexually frustrated
through rejection, it has to do with most impacting events of quartz.
Another common event related to Causal
Association is that I usually see someone making a comment about a song, movie
or person or place and then when I have contact with the commented object, I
recall the person. Depending on mysterious circumstances, this association that
starts existing between them vary enormously, sometimes these two being
synonymous, like each one was part of the other’s identity, the two being part
of the same quintessential marble.
So, similar to radiation, this is also another
effect that seems to explain the confusing compilations of elements in dreams. The
unpaired elements end up having combined crests of each mindscape, making then
the other crests be available for recalling when one crest is brought back. For
instance, when one quintessential marble is reached in our dreams for some
reason, the unrelated element now associated with this quintessence is brought
up, instead of the expected element. This way, instead of the person coming up
in our dreams, something else associated to it is brought up. Now, why does our
mind always take the difficult path to express itself?
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